Drop 2 voicings is the most common chords form on the guitar for ordinary seventh chords or sixth chords. Drop 2 chords are created on adjacent strings by taking the second note from the top in any inversions of a chord, and drop it down one octave to the bass. Impassable if your don't have the hands of Johnny Smith or Allan Holdsworth. Drop 2 chords are used when arranging melodies in block chords.

Inversions of Fmi7 Inversions with drop 2 Inversions with drop3
1-b3-5-b7 (F-Ab-C-Eb) 5-1-b3-b7 (C-F-Ab-Eb) b3-1-5-b7 (Ab-F-C-Eb)
b7-1-b3-5 b3-b7-1-5 1-b7-b3-5
5-b7-1-b3 1-5-b7-b3 b7-5-1-b3
b3-5-b7-1 b7-b3-5-1 5-b3-b7-1
Inversions of F7 Inversions with drop 2 Inversions with drop3
1-3-5-b7 (F-A-C-Eb) 5-1-3-b7 (C-F-A-Eb) 3-1-5-b7 (A-F-C-Eb)
b7-1-3-5 3-b7-1-5 1-b7-3-5
5-b7-1-3 1-5-b7-3 b7-5-1-3
3-5-b7-1 b7-3-5-1 5-3-b7-1
Inversions of FMaj7 Inversions with drop 2 Inversions with drop3
1-3-5-7 (F-A-C-E) 5-1-3-7 (C-F-A-E) 3-1-5-7 (A-F-C-E)
7-1-3-5 3-7-1-5 1-7-3-5
5-7-1-3 1-5-7-3 7-5-1-3
3-5-7-1 7-3-5-1 5-3-7-1

Here's the common inversion of F7, Fmaj7, and F7 in drop 2 voicings. All of these chords are movable. Practice moving smoothly between these voicings, in all keys.

   Fm7      Fm7      Fm7     Fm7 
|---1-(1)----4-(b3)---8-(5)----11(b7)---| 
|---1-(5)----4-(b7)---6-(1)----9-(b3)---| 
|---1-(b3)---5-(5)----8-(b7)---10(1)----| 
|---1-(b7)---3-(1)----6-(b3)---10(5)----| 
|---------------------------------------| 
|---------------------------------------| 
 
    F7       F7       F7       F7 
|---1-(1)----5-(3)----8-(5)----11-(b7)--| 
|---1-(5)----4-(b7)---6-(1)----12-(3)---| 
|---2-(3)----5-(5)----8-(b7)---12-(1)---| 
|---1-(b7)---3-(1)----7-(3)----12-(5)---| 
|---------------------------------------| 
|---------------------------------------| 
 
  Fmaj7     Fmaj7    Fmaj7     Fmaj7 
|---1-(1)----5-(3)----8-(5)-----12-(7)--| 
|---1-(5)----5-(7)----6-(1)-----10-(3)--| 
|---2-(3)----5-(5)----9-(7)-----10-(1)--| 
|---2-(7)----3-(1)----7-(3)-----10-(5)--| 
|---------------------------------------| 
|---------------------------------------| 

Same thing on the four middle strings:

   Fm7      Fm7      Fm7      Fm7         
|----------------------------------------| 
|---4-(b7)---6-(1)----9-(b3)---13-(5)----| 
|---1-(b3)---5-(5)----8-(b7)---10-(1)----| 
|---3-(1)----6-(b3)---10(5)----13-(b7)---| 
|---3-(5)----6-(b7)---8-(1)----11-(b3)---| 
|----------------------------------------| 
 
    F7       F7       F7       F7         
|----------------------------------------| 
|---4-(b7)---6-(1)----10(3)----13-(5)----| 
|---2-(3)----5-(5)----8-(b7)---10-(1)----| 
|---3-(1)----7-(3)----10(5)----13-(b7)---| 
|---3-(5)----6-(b7)---8-(1)----12-(3)----| 
|----------------------------------------| 
 
   Fmaj7     Fmaj7    Fmaj7     Fmaj7      
|----------------------------------------| 
|---5-(7)-----6-(1)----10-(3)----13-(5)--| 
|---2-(3)-----5-(5)----9--(7)----10-(1)--| 
|---3-(1)-----7-(3)----10-(5)----14-(7)--| 
|---3-(5)-----7-(7)----8--(1)----12-(3)--| 
|----------------------------------------| 

With the sixth string in the bass, most players like to use drop 3 voicings. In drop 3 voicings, the third note from the top is dropped down to the bass. Note the similarity between these and the drop 2 on the four treble strings.

                                                                               
| Drop 3 Voicings of Fmi7 | Drop 3 Voicings of F7 | Drop 3 Voicings of Fmaj7 | 
|-------------------------|-----------------------|--------------------------| 
|---1----4----6----9------|---1----4----6---10----|---1----5----6----10------| 
|---1----5----8----10-----|---2----5----8---10----|---2----5----9----10------| 
|---1----3----6----10-----|---1----3----7---10----|---2----3----7----10------| 
|-------------------------|-----------------------|--------------------------| 
|---1----4----8----11-----|---1----5----8---11----|---1----5----8----12------| 

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